Interfacing Manual and Machine Composition.
Computer-aided composition (CAC) is situated somewhere in the middle between manual composition and automated composition that is performed autonomously by a computer program. Computers cannot make aesthetic decisions in their own right. They can only follow orders. Aesthetic decisions are made by c...
| Publicado en: | Contemporary Music Review Vol. 28; no. 2; pp. 133 - 148 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
2009
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=49233130&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 49233130 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2009 vid: 28 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 49233130 10.1080/07494460903322422 ppf: 133 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 379KB tig: atl: Interfacing Manual and Machine Composition. aug: au: Anders, Torsten Miranda, EduardoReck su: Musical composition Computer-aided design Computer programming Computer software Constraint programming sug: subj: Musical composition Computer-aided design Computer programming Computer software Constraint programming keyword: Algorithmic Composition Computer-aided Composition Constraint Programming Microtonal Music Strasheela ab: Computer-aided composition (CAC) is situated somewhere in the middle between manual composition and automated composition that is performed autonomously by a computer program. Computers cannot make aesthetic decisions in their own right. They can only follow orders. Aesthetic decisions are made by composers, both via the design of computer programs and by manually controlling these programs. The latter plays an important part in CAC. The composition process typically involves much emending and revising: changing how a computer program is controlled is easier and allows for a more intuitive way of working than changing the program itself. This paper argues that constraint programming is a particularly suitable programming paradigm for flexibly interfacing manual and machine composition. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
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