Two Computer-Assisted Composition Case Studies.
This paper presents two large-scale compositional projects that have been realized using a Lisp-based visual computer-assisted composition environment. As such, the system does not force the composer to use a predetermined aesthetic framework. In order to meet the specific needs of individual compos...
| Publicado en: | Contemporary Music Review Vol. 28; no. 2; pp. 193 - 204 |
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| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
2009
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=49233136&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 49233136 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2009 vid: 28 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 49233136 10.1080/07494460903322471 ppf: 193 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 685KB tig: atl: Two Computer-Assisted Composition Case Studies. aug: au: Laurson, Mikael Kuuskankare, Mika su: Musical composition Computer-aided design Visual programming (Computer science) Computer music Computer programming sug: subj: Musical composition Computer-aided design Visual programming (Computer science) Computer music Computer programming keyword: Compositional Systems Computer-assisted Composition Constraints-based Programming Visual Programming ab: This paper presents two large-scale compositional projects that have been realized using a Lisp-based visual computer-assisted composition environment. As such, the system does not force the composer to use a predetermined aesthetic framework. In order to meet the specific needs of individual composers, a user-library scheme is provided that allows one to augment the kernel part of the system with modular software packages. In our first case study, dealing with the realization of the pitch material for Lindberg's orchestral work Engine, we discuss the constraints system used by the composer. In the second case study we present the underlying user-library 'Viuhka' that was used to realize a 15-part electroacoustic work for tape by Heininen. We end with a discussion that lists some of the experiences that the composers came across during the compositional process. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
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