Local and Global Control in Computer-Aided Composition.
I have been deeply involved in computer-aided composition since 1994 and developed a number of libraries for computer-aided composition software: initially for PatchWork, then for OpenMusic and more recently for PWGL. In this paper I show how to use PWGL's Multi-PMC engine, conceived by Mikael Laurs...
| Publicado en: | Contemporary Music Review Vol. 28; no. 2; pp. 181 - 192 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2009
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=49233137&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 49233137 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2009 vid: 28 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 49233137 10.1080/07494460903322455 ppf: 181 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.1MB tig: atl: Local and Global Control in Computer-Aided Composition. aug: au: Schilingi, JacopoBaboni su: Musical composition Computer-aided design Music theory Music education Music libraries sug: subj: Musical composition Computer-aided design Music theory Music education Music libraries keyword: Computer-aided Composition Hyper Systemic Music Theory PWGL Libraries ab: I have been deeply involved in computer-aided composition since 1994 and developed a number of libraries for computer-aided composition software: initially for PatchWork, then for OpenMusic and more recently for PWGL. In this paper I show how to use PWGL's Multi-PMC engine, conceived by Mikael Laurson, to link three of my libraries: JBS-Profile, Morphologie and JBS-Constraints. I discuss why computer-aided composition is fundamental for writing music today by demonstrating a theoretical approach. The theory I expose in this paper is a short and resumed version of the Hyper Systemic Music Theory, which I published in 2007. This theory studies the musical properties of created musical material in order to define rules to generate musical developments. My attention is focused on the relation between local and global control, and I give an example of how to manage the two in the PWGL environment. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
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