Network Musics: Play, Engagement and the Democratization of Performance.
The rapid development of networking technologies has allowed composers to explore new ways of directly engaging participants in the exploration of musical environments and realization of new forms of musical expression. Several distinctive approaches to the musical application of networks will be ou...
| Publicado en: | Contemporary Music Review Vol. 28; no. 4/5; pp. 363 - 376 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
2009
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=49233148&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 49233148 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2009 vid: 28 iid: 4/5 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 49233148 10.1080/07494460903422198 ppf: 363 ppct: 13 formats: fmt: – @attributes: type: T – @attributes: type: P size: 717KB tig: atl: Network Musics: Play, Engagement and the Democratization of Performance. aug: au: Kim-Boyle, David su: Composers Artistic collaboration Tanaka, Atau Metraform (Performer) Neuhaus, Max Aesthetics sug: subj: Composers Artistic collaboration Tanaka, Atau Metraform (Performer) Neuhaus, Max Aesthetics keyword: Collaborative Interface Networks Open-form Play ab: The rapid development of networking technologies has allowed composers to explore new ways of directly engaging participants in the exploration of musical environments and realization of new forms of musical expression. Several distinctive approaches to the musical application of networks will be outlined, each of which is mediated and conditioned by the technical and aesthetic foundations of the network technologies themselves. Recent work in the field by artists such as Atau Tanaka and Metraform will be examined in this context, as will some of the pioneering work in the genre by Max Neuhaus. While recognizing the historical context of collaborative work, the author will examine how the strategies employed in the work of these artists have helped redefine a new aesthetics of engagement in which play, spatial and temporal dislocation are amongst the genre's defining characteristics. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
|---|