TIESOS IR MENO KŪRINIO SANTYKIS: B. CROCE IR H. G. GADAMERIS.
The article analyzes the relationship between truth and the work of art in Benedetto Croce's aesthetics and Hans Georg Gadamer's philosophy of art. It compares the main principles of art in their philosophies, showing their similarities and differences. The approaches of these two thinkers are compa...
| Publicado en: | Problems / Problemos Vol. 77; pp. 163 - 174 |
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| Formato: | Artículo |
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Vilnius University
2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=49804537&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 49804537 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13921126 3D4C jtl: Problems / Problemos issn: 13921126 maglogo: N pubinfo: dt: 2010 vid: 77 pid: 16037 pub: Vilnius University artinfo: ui: 49804537 10.15388/Problemos.2010.0.1892 ppf: 163 ppct: 11 formats: fmt: @attributes: type: P size: 542KB tig: atl: TIESOS IR MENO KŪRINIO SANTYKIS: B. CROCE IR H. G. GADAMERIS. aug: au: Daraškevičiūtė, Vaiva affil: Vilniaus universiteto, Filosofijos katedra, Universiteto g. 9/1, LT-2057 Vilnius su: Aesthetics Truth (Aesthetics) Art theory Croce, Benedetto, 1866-1952 Gadamer, Hans Georg, 1900-2002 sug: subj: Aesthetics Truth (Aesthetics) Art theory Croce, Benedetto, 1866-1952 Gadamer, Hans Georg, 1900-2002 keyword: Art work Experience Hermeneutics Intuition Truth ekspresija hermeneutika intuityvusis pažinimas meno kūrinys tiesa ab: The article analyzes the relationship between truth and the work of art in Benedetto Croce's aesthetics and Hans Georg Gadamer's philosophy of art. It compares the main principles of art in their philosophies, showing their similarities and differences. The approaches of these two thinkers are compared by presenting their concepts of truth, the art work and art experience. Croce considers art as an autonomic, subjective cognition. Nevertheless, the universal dimension of art experience is especially important in his aesthetics as well. Gadamer, for his part, uses the reflection of the experience of the art work as the foundation of a hermeneutic universality. The truth in this case is described as contrasting with methodology and is taken to be an event of understanding. The article concludes that the relationship between truth and the art work which we find in Croce's aesthetics is analogous to the one that lies in Gadamer's philosophy of art. Straipsnyje aptariamas tiesos ir meno kūrinio santykis B. Croce's ir H. G. Gadamerio filosofijoje. Lyginami Croce's estetikos ir Gadamerio meno filosofijos principai, analizuojami panašumai ir skirtumai. Croce akcentuoja meno autonomiją ir subjektyvųjį intuityviojo pažinimo lygmenį, jo estetikoje per meno kūrinį patiriamas intuityvusis tiesos matmuo, tačiau esama ir universalumą suponuojančių meno patirties aspektų. Gadameris meno kūrinio supratimo analize siekia pagrįsti hermeneutikos universalumą -- tiesa čia priešinama metodologijai ir suvokiama kaip supratimo įvykis. Straipsnyje grindžiama tezė, kad Croce's estetikoje tiesos ir meno kūrinio santykis analogiškas Gadamerio hermeneutikoje aptariamam tiesos ir meno kūrinio santykiui. pubtype: Academic Journal doctype: Article src: R language: Lithuanian refInfo: copyright: @attributes: flag: Y custom: Copyright of Problems / Problemos is the property of Vilnius University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Problems / Problemos holder: Vilnius University dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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