“Nigger”: A Critical Race Realist Analysis of the N-Word within Hate Crimes Law.

On a 2005 summer morning in New York, Nicholas “Fat Nick” Minucci, who is White, beat Glenn Moore, who is Black, with a baseball bat and robbed him. During the assault, Minucci repeatedly screamed the N-word. At trial, Minucci's attorney argued that he had not committed a hate crime. The essence of...

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Publicado en:Journal of Criminal Law & Criminology Vol. 98; no. 4; pp. 1305 - 1353
Autores principales: Parks, Gregory S., Jones, Shayne E.
Formato: Artículo
Publicado: Northwestern University Summer2008
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: “Nigger”: A Critical Race Realist Analysis of the N-Word within Hate Crimes Law.
      aug:
        au:
          Parks, Gregory S.
          Jones, Shayne E.
      su:
        Minucci, Nicholas
        Hate crimes
        Racism in language
        Race relations in the United States
        Popular culture
        Actions & defenses (Law)
        United States
      sug:
        subj:
          United States
          Hate crimes
          Racism in language
          Race relations in the United States
          Popular culture
          Actions & defenses (Law)
          Minucci, Nicholas
      keyword: Nigger (Term)
      ab: On a 2005 summer morning in New York, Nicholas “Fat Nick” Minucci, who is White, beat Glenn Moore, who is Black, with a baseball bat and robbed him. During the assault, Minucci repeatedly screamed the N-word. At trial, Minucci's attorney argued that he had not committed a hate crime. The essence of the defense's argument was that Minucci's use of the N-word while assaulting and robbing Moore was not indicative of any bias or prejudice. The defense went on to indicate that Minucci had Black friends, was immersed in Black culture, and employed the N-word as part of his everyday vocabulary. Two Black men—Gary Jenkins (a hip-hop music producer) and Randall Kennedy (a Harvard Law professor)—testified that the N-word is not necessarily a racial epithet. In this Article, we systematically analyze this assessment of the N-word within hate crimes law. We employ a Critical Race Realist methodology toward this end. In doing so, we (1) systematically analyze Black and White usage of the N-word within popular culture—i.e., comedy, rap music, and spoken word entertainment—and (2) reconcile these findings with research on implicit (subconscious) racial bias. In sum, we argue that whereas the N- Word is used by Blacks in a more race neutral manner within popular culture, its usage among Whites immersed in Black culture is nil. Furthermore, we find that many Whites harbor implicit anti-Black biases, and such biases predict racial hostility and the use of racial epithets. Consequently, within the realm of hate crimes law, courts should presume racial animus where a White person uses the N-word while committing a crime against a Black person. Furthermore, despite high rates of Black usage of the N-word and high rates of implicit anti-Black biases among Blacks, a law of intra-racial hate crimes among Blacks predicated upon their usage of the N-word would be fruitless. This is because the N-word has a different connotation when used intra-racially among Blacks than when directed at Blacks by Whites. Reprinted by permission of the publisher.
      pubtype: Academic Journal
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    language: English
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