La Casa de Bernada Alba: A Nietzschean Reading.

In La Casa de Bernarda Alba, Federico García Lorca endeavours to represent faithfully, by way of a 'documental fotográfico', the experiences of seven women in the rural Spain of his day. The lives of these women are ones of repression, frustration and desperation, and these details are central to a...

Descripción completa

Detalles Bibliográficos
Publicado en:Bulletin of Hispanic Studies (1475-3839) Vol. 87; no. 2; pp. 221 - 240
Autor principal: Gómez, Michael A.
Formato: Artículo
Publicado: Liverpool University Press / Journals 2010
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=50744405&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 50744405
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        14753839
        01W
      jtl: Bulletin of Hispanic Studies (1475-3839)
      issn: 14753839
      maglogo: N
    pubinfo:
      dt: 2010
      vid: 87
      iid: 2
      pid: 39786
      pub: Liverpool University Press / Journals
    artinfo:
      ui:
        50744405
        10.1353/bhs.0.0145
      ppf: 221
      ppct: 19
      formats:
        fmt:
          @attributes:
            type: P
            size: 1.3MB
      tig:
        atl: La Casa de Bernada Alba: A Nietzschean Reading.
      aug:
        au: Gómez, Michael A.
        affil: College of Charleston
      su:
        La Casa de Bernarda Alba (Theatrical production)
        Garcia Lorca, Federico, 1898-1936
        Nietzsche, Friedrich Wilhelm, 1844-1900
        Social conditions of women
        Eternal return
        Spain
      sug:
        subj:
          Spain
          La Casa de Bernarda Alba (Theatrical production)
          Garcia Lorca, Federico, 1898-1936
          Nietzsche, Friedrich Wilhelm, 1844-1900
          Social conditions of women
          Eternal return
      ab:
        In La Casa de Bernarda Alba, Federico García Lorca endeavours to represent faithfully, by way of a 'documental fotográfico', the experiences of seven women in the rural Spain of his day. The lives of these women are ones of repression, frustration and desperation, and these details are central to a proper understanding of the play. What is equally crucial, however, is an analysis and comprehension of why 'what happens' happens - that is, an understanding of the various psychologies or psychological perspectives that lie behind the central figures and their actions. This article takes as its starting point the position that there is much of Nietzsche's thought to be seen in the lines of La Casa de Bernarda Alba. The article aims to investigate key aspects of Nietzsche's views on human morality, his thoughts on the ascetic tendency in humanity, the universality and persistence of the so-called Will-to-Power, and the notion of eternal recurrence.
        En su introducción a La Casa de Bernarda Alba, Federico García Lorca declara su intención de darle al lector un 'documental fotográfico' de las experiencias de siete mujeres en la España rural de su día. Las vidas de estas mujeres se definen por la represión, la frustración y la desesperanza, y estos detalles son fundamentales al hablar de la acción del drama. Pero de igual importancia es un análisis de las razones que hay detrás de esta acción - es decir, un estudio profundo de las sicologías o perspectivas sicológicas asociadas con los agentes principales de la tragedia. Este artículo toma como punto de partida la posición de que hay, en La Casa de Bernarda Alba, mucha influencia nietzscheana, y para probar esta posición, analizaremos elementos claves de la perspectiva Nietzscheana sobre la moralidad humana, los pensamientos del filósofo sobre la tendencia ascética en el ser humano, la universalidad y persistencia de la llamada 'voluntad al poderío', y la noción del 'eterno retorno'.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Bulletin of Hispanic Studies (1475-3839) is published by Liverpool University Press, and its content may not be copied or emailed to multiple sites or posted to a listserv without Liverpool University Press's express written copyright permission. However, users may print, download, or email articles for individual use.
      item: Bulletin of Hispanic Studies (1475-3839)
      holder: Liverpool University Press / Journals
      dt:
        @attributes:
          year: 2010
    holdings:
      @attributes:
        islocal: N