Bonnard at the Modern.
The writer considers the work of Pierre Bonnard (1867-1947) in the wake of the Bonnard retrospective at New York's Museum of Modern Art in summer 1998. Bonnard was never a particular favorite of American collectors because he did not easily categorize into any narrative of modern art. This retrosp...
| Publicado en: | Dissent (00123846) Vol. 46; no. 1; pp. 94 - 99 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Winter99
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=507606490&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 507606490 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 00123846 DST jtl: Dissent (00123846) issn: 00123846 maglogo: N pubinfo: dt: Winter99 vid: 46 iid: 1 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 507606490 ppf: 94 ppct: 5 formats: fmt: @attributes: type: T tig: atl: Bonnard at the Modern. aug: au: Dickstein, Morris su: Bonnard, Pierre, 1867-1947 Museum of Modern Art (New York, N.Y.) French painting Painting exhibitions sug: subj: Museum of Modern Art (New York, N.Y.) French painting Painting exhibitions Bonnard, Pierre, 1867-1947 ab: The writer considers the work of Pierre Bonnard (1867-1947) in the wake of the Bonnard retrospective at New York's Museum of Modern Art in summer 1998. Bonnard was never a particular favorite of American collectors because he did not easily categorize into any narrative of modern art. This retrospective revealed Bonnard to be a modern, restless, original, and self-conscious artist. It is concluded that he found a niche between modernism and impressionism, between the intimate portrayal of domestic subjects and the expressive potential of saturated color and abstract design. pubtype: Periodical doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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