Going straight.

On April 2, 2001, software firm RealNetworks and three big record labels—Warner Music, Bertelsmann Music Group, and EMI—announced a joint venture, called MusicNet, that will make it possible to create many types of paid music-subscription services. The two other big music companies—Sony and Univers...

Descripción completa

Detalles Bibliográficos
Publicado en:Economist Vol. 359; pp. 69 - 71
Formato: Artículo
Publicado: Economist Newspaper Limited April 7 2001
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=507766516&site=ehost-live
header:
  @attributes:
    shortDbName: ssf
    uiTerm: 507766516
    longDbName: Social Sciences Full Text (H.W. Wilson)
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00130613
        ECO
      jtl: Economist
      issn: 00130613
      maglogo: N
    pubinfo:
      dt: April 7 2001
      vid: 359
      pid: 161
      pub: Economist Newspaper Limited
    artinfo:
      ui: 507766516
      ppf: 69
      ppct: 2
      formats:
      tig:
        atl: Going straight.
      aug:
      su:
        Napster Inc.
        Napster (Computer program)
        Copyright -- Music
        Internet security
        Internet
        Music industry
        Actions & defenses (Law)
      sug:
        subj:
          Napster Inc.
          Napster (Computer program)
          Copyright -- Music
          Internet security
          Internet
          Music industry
          Actions & defenses (Law)
      ab: On April 2, 2001, software firm RealNetworks and three big record labels—Warner Music, Bertelsmann Music Group, and EMI—announced a joint venture, called MusicNet, that will make it possible to create many types of paid music-subscription services. The two other big music companies—Sony and Universal—are to offer similar services, called Duet; and from July, Napster, which is a free file-swapping service, is to turn itself into a secure membership-based service, with the help of Bertelsmann. What becomes of these services will determine not only the future of the music industry but that of its underlying technology as well. All of these services will include a “cop protection” scheme that will limit what users can do with files they download. There are risks associated with this, in that the trend toward restricting access could ultimately curtail existing rights, such as the right to make copies of music for personal use.
      pubtype: Periodical
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: N
    holdings:
      @attributes:
        islocal: N