SELF-PUBLISHING AND MUSICOLOGY: HISTORICAL PERSPECTIVES, PROBLEMS, AND POSSIBILITIES.
Although the terms "publishing" and "self-publishing" have meant quite different things at various times and to various individuals, publishers today decide which documents will be produced and for what purposes. This article examines the evolution of self-publishing past and present, especially (bu...
| Publicado en: | Notes Vol. 66; no. 4; pp. 726 - 739 |
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| Formato: | Artículo |
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Music Library Association Inc.
Jun2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=50874547&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 50874547 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00274380 TI2 jtl: Notes issn: 00274380 maglogo: N pubinfo: dt: Jun2010 vid: 66 iid: 4 pid: 1267 pub: Music Library Association Inc. artinfo: ui: 50874547 10.1353/not.0.0376 ppf: 726 ppct: 13 formats: fmt: @attributes: type: P size: 96KB tig: atl: SELF-PUBLISHING AND MUSICOLOGY: HISTORICAL PERSPECTIVES, PROBLEMS, AND POSSIBILITIES. aug: au: SAFFLE, MICHAEL su: Music publishing Self-publishing Musicology Areopagitica (Book : Milton) Desktop publishing Electronic publishing Sinclair, Upton, 1878-1968 Anthology of American Folk Music (Book) sug: subj: Music publishing Self-publishing Musicology Areopagitica (Book : Milton) Desktop publishing Electronic publishing Sinclair, Upton, 1878-1968 Anthology of American Folk Music (Book) ab: Although the terms "publishing" and "self-publishing" have meant quite different things at various times and to various individuals, publishers today decide which documents will be produced and for what purposes. This article examines the evolution of self-publishing past and present, especially (but not exclusively) insofar as musicology is concerned. Important self-publications discussed or at least mentioned are John Milton's Areopagitica; editions of music by Telemann, C. P. E. Bach, and Muzio Clementi; some of the books and magazines written and sold by Upton Sinclair; the samizdat of 1960s and 1970s Soviet dissidents; Richard Wagner's autobiography Mein Leben and Mary Burrell's unfinished documentary Wagner biography; fanzines of various kinds; and the celebrated Anthology of American Folk Music, for which editor Harry Smith compiled an influential set of homemade program notes. Since the 1960s the rise of desktop publishing, new forms of digital word- formatting and -retrieval systems, and the Internet have challenged musicologists and other scholars to think outside the box of traditional, hard-copy, peer-reviewed monographs; in a few cases, online periodicals and other kinds of publications have begun to be accepted. One example of recent self-publishing is Anthony Linick's biography of his stepfather, composer Ingolf Dahl, also reviewed separately in this issue of Notes. Whatever the problems associated with it, virtual publishing offers libraries as well as scholars and their audiences a variety of new opportunities. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Notes holder: Music Library Association Inc. dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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