Domesticating Citizenship: The Kairotopics of America's Post-9/11 Home Makeover.

A kairotopic analysis applied to the television program Extreme Makeover: Home Edition reveals how this program can be interpreted as making over democratic citizenship in post-9/11 America. Kairotopic analysis is one that involves the analysis of temporal-spatial elements. Applying such an analys...

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Publicado en:Critical Studies in Media Communication Vol. 27; no. 1; pp. 84 - 105
Autor principal: McAlister, Joan Faber
Formato: Artículo
Publicado: Taylor & Francis Ltd March 2010
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Acceso en línea:Ver este registro en EBSCOhost
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        au: McAlister, Joan Faber
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        Extreme Makeover: Home Edition (TV program)
        Spacetime
        Television & politics
        September 11 Terrorist Attacks, 2001 & society
        Social aspects of television programs
        Social theory
        Twenty-first century
        United States
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          United States
          Spacetime
          Television & politics
          September 11 Terrorist Attacks, 2001 & society
          Social aspects of television programs
          Social theory
          Twenty-first century
          Extreme Makeover: Home Edition (TV program)
      ab: A kairotopic analysis applied to the television program Extreme Makeover: Home Edition reveals how this program can be interpreted as making over democratic citizenship in post-9/11 America. Kairotopic analysis is one that involves the analysis of temporal-spatial elements. Applying such an analysis to Extreme Makeover reveals how this program mediates citizenship through a particular material space-time: the contemporary American home. This show operates to redirect political agency into familiar (nuclear) familial space-times and to domesticate political practices by relocating social responsibility from public institutions to private corporations. In so doing, the program offers a paradoxical combination of neoliberal economic and governmental imperatives allied to the social and moral norms of neoconservativism to build a new national home that is both post-dissident and postfeminist.
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