Presumed greedy.
After the success of courtroom thriller novels from John Grisham and Scott Turrow, quite a few U.S. lawyers have decided to turn to writing fiction to earn more money. This trend is regrettable, because the books that they produce are poor imitations of Grisham or Turrow, and because they will over...
| Publicado en: | New Statesman & Society Vol. 8; pp. 39 - 40 |
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| Autor principal: | |
| Formato: | Artículo |
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New Statesman Ltd.
January 13 1995
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | After the success of courtroom thriller novels from John Grisham and Scott Turrow, quite a few U.S. lawyers have decided to turn to writing fiction to earn more money. This trend is regrettable, because the books that they produce are poor imitations of Grisham or Turrow, and because they will overshadow the truly great tradition of U.S. crime writing—the noir thriller, with its mordant wit and moral desolation. Worst of all, the avalanche of these new novels confirms the folly of British publishers in selling out to U.S. groups during the 1980s. Many of the large London houses will now have to follow strategic decisions taken in New York and promote these authors while neglecting their own. This would not matter if it were not for the fact that the demonstrable superiority of U.S. style in other art forms often does not apply to fiction. |
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