Losses of Face: Rembrandt, Masaccio, and the Drama of Shame.
Part of a special issue on shame. The writer focuses on two famous paintings by Rembrandt—The Repentant Judas Returning the Thirty Pieces of Silver (1629) and Susanna and the Elders (1636)—and one by Masaccio—Expulsion of Adam and Eve from the Garden of Eden (1425)—in order to examine some of the v...
| Published in: | Social Research Vol. 70; no. 4; pp. 1327 - 1351 |
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| Format: | Article |
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New School for Social Research
Winter 2003
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=510320909&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 510320909 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 0037783X SRE jtl: Social Research issn: 0037783X maglogo: N pubinfo: dt: Winter 2003 vid: 70 iid: 4 pid: 296 pub: New School for Social Research artinfo: ui: 510320909 ppf: 1327 ppct: 24 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.4MB tig: atl: Losses of Face: Rembrandt, Masaccio, and the Drama of Shame. aug: au: Hollander, Martha su: Emotions in art Shame sug: subj: Emotions in art Shame keyword: Masaccio, 1401-ca. 1428 -- Themes Rembrandt Harmenszoon van Rijn, 1606-1669 -- Themes ab: Part of a special issue on shame. The writer focuses on two famous paintings by Rembrandt—The Repentant Judas Returning the Thirty Pieces of Silver (1629) and Susanna and the Elders (1636)—and one by Masaccio—Expulsion of Adam and Eve from the Garden of Eden (1425)—in order to examine some of the visual narratives by which shame is dramatized in paintings. She highlights the ways that shame is articulated as a subject, as well as a response, in the pictorial arts. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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