Interfacing the Environment: Networked Screens and the Ethics of Visual Consumption.

The screen continues to be the primary generator of visual imagery in contemporary culture, including of the natural world. This paper examines the screen as visual interface in the construction and consumption of physical environments. Screens are increasingly incorporated in our daily habits and i...

Descripción completa

Detalles Bibliográficos
Publicado en:Ethics & the Environment Vol. 9; no. 2; pp. 65 - 86
Formato: Artículo
Publicado: Indiana University Press Fall/Winter 2004
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=510409764&site=ehost-live
header:
  @attributes:
    shortDbName: ssf
    uiTerm: 510409764
    longDbName: Social Sciences Full Text (H.W. Wilson)
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        10856633
        FL8
      jtl: Ethics & the Environment
      issn: 10856633
      maglogo: N
    pubinfo:
      dt: Fall/Winter 2004
      vid: 9
      iid: 2
      pid: 211
      pub: Indiana University Press
    artinfo:
      ui:
        510409764
        10.1353/een.2005.0001
      ppf: 65
      ppct: 21
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 1.1MB
      tig:
        atl: Interfacing the Environment: Networked Screens and the Ethics of Visual Consumption.
      aug:
      ab: The screen continues to be the primary generator of visual imagery in contemporary culture, including of the natural world. This paper examines the screen as visual interface in the construction and consumption of physical environments. Screens are increasingly incorporated in our daily habits and imbricated into our lives, especially as mediating technologies are embedded into the surfaces of our physical surroundings, shaping and molding our interactions with and perceptions of those environments. As screens become increasingly portable and digitized, they further modify our relationships with environments, projecting multiple images and imagery which fracture and layer visual consumption. And as screens become ubiquitous in urban environments, they network into maps of information control and consumption. We need to fully understand these processes of screen-mediated representation and interaction in order to be able to comment on the ethics of contemporary practices of visually consuming physical environments. In particular, the paper will argue that processes of consumption and their interaction with visual interfacing technologies are not simple or straight-forward, but nevertheless pose ethical questions about the relationship between visual and material circuits of consumption. Reprinted by permission of the publisher.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: N
    holdings:
      @attributes:
        islocal: N