The Archers: an everyday story of old and new media.
This article explores the evolving relationship between the world's oldest radio soap opera — The Archers — and the online spaces around the programme created on the BBC Archers website, particularly the fan cultures that have developed on its messageboards. It considers continuities and changes in...
| Publicado en: | Radio Journal: International Studies in Broadcast & Audio Media Vol. 7; no. 1; pp. 49 - 67 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Intellect Ltd.
2009
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=510749174&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 510749174 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 14764504 L2N jtl: Radio Journal: International Studies in Broadcast & Audio Media issn: 14764504 maglogo: N pubinfo: dt: 2009 vid: 7 iid: 1 pid: 12270 pub: Intellect Ltd. artinfo: ui: 510749174 ppf: 49 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 161KB tig: atl: The Archers: an everyday story of old and new media. aug: au: Thomas, Lyn su: Archers (Radio program) Internet radio Television soap operas Radio audiences sug: subj: Internet radio Television soap operas Radio audiences Archers (Radio program) keyword: BBC -- Web sites ab: This article explores the evolving relationship between the world's oldest radio soap opera — The Archers — and the online spaces around the programme created on the BBC Archers website, particularly the fan cultures that have developed on its messageboards. It considers continuities and changes in listeners' relationships with the experience of radio soap opera which result from participation in these cultures and the availability of the programme online. This article then provides detailed analysis of the nature and functioning of the fan cultures which have colonised the BBC ‘Discuss The Archers’ board, and relates this discussion both to Bourdieu's theories of cultural distinction and to the broader field of fan studies. This article concludes by discussing the struggles for meaning which result from the clash of different versions of fandom online. Reprinted by permission of the publisher. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
|---|