Contemporary radio art and spatial politics: The critical radio utopias of Anna Friz.
The article explores the work of the Canadian sound artist Anna Friz over the last decade. Her work deals explicitly with issues of technology and the relative absence of women's voices on radio. Exploring her work as a composer, installation artist, instrumentalist, performance artist and storytell...
| Publicado en: | Radio Journal: International Studies in Broadcast & Audio Media Vol. 5; no. 2/3; pp. 129 - 143 |
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| Autor principal: | |
| Formato: | Biography |
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Intellect Ltd.
July 2008
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=510831982&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 510831982 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 14764504 L2N jtl: Radio Journal: International Studies in Broadcast & Audio Media issn: 14764504 maglogo: N pubinfo: dt: July 2008 vid: 5 iid: 2/3 pid: 12270 pub: Intellect Ltd. artinfo: ui: 510831982 10.1386/rajo.5.2-3.129_1 ppf: 129 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 335KB tig: atl: Contemporary radio art and spatial politics: The critical radio utopias of Anna Friz. aug: au: Ouzounian, Gascia su: Radio art sug: subj: Radio art keyword: Friz, Anna ab: The article explores the work of the Canadian sound artist Anna Friz over the last decade. Her work deals explicitly with issues of technology and the relative absence of women's voices on radio. Exploring her work as a composer, installation artist, instrumentalist, performance artist and storyteller, and contextualising these practices within feminist critiques and radio conventions, the article explores Friz's ‘self-reflexive radio’. Ideas of ‘supermodernity’, ‘displacement’ and ‘critical utopia’ are deployed to discuss specific pieces of Friz's work in relation to identity and space. The article argues that Friz reconfigures the radio as a site of resistance to dominant constructions of contemporary globalised space and cultures, the politics of informational capitalism and the uneven flows that these cultures and politics engender. Reprinted by permission of the publisher. pubtype: Academic Journal doctype: Biography src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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