The Recursive Mode: Space, Time, and the Hyper-Commodification of Culture.

This article argues that “evolution” in the production of mass cultural forms has become stalled in our postmodern, networked, and neoliberalized society. Popular cultural forms have historically developed and evolved in dialectical relationship with capitalism. This produced forms that although inc...

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Detalles Bibliográficos
Publicado en:Cultural Politics (Bloomsbury Publishers) Vol. 5; no. 3; pp. 335 - 359
Autor principal: Hassan, Robert
Formato: Artículo
Publicado: Oxford International Publishers Ltd, trading as Berg Publishers November 2009
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Acceso en línea:Ver este registro en EBSCOhost