All quiet on the filmic front? Codeswitching and the representation of multilingual Europe in La Grande Illusion (Jean Renoir, 1937) and Joyeux Noël (Christian Carion, 2005)
Codeswitching, defined linguistically as ‘the use of more than one language in the course of a single communicative episode’, is usually studied in the context of real situations. This article contends that any study of codeswitching in film must take into account not merely realism but the context...
| Publicado en: | Journal of Romance Studies Vol. 10; no. 2; pp. 37 - 53 |
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| Formato: | Artículo |
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Berghahn Books
Summer 2010
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| Acceso en línea: | Ver este registro en EBSCOhost |