A View from the Trenches of Music 2.0.
In recent history, the music industry has been built on a small number of relationships, largely driven from the top down. While the actual music forges a direct link between musicians and their fans, the reality of the industry is that a number of intermediaries interrupt that relationship, forcing...
| Publicado en: | Popular Music & Society Vol. 33; no. 3; pp. 339 - 356 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
Jul2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=51254110&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 51254110 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007766 POA jtl: Popular Music & Society issn: 03007766 maglogo: Y pubinfo: dt: Jul2010 vid: 33 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 51254110 10.1080/03007760903495634 ppf: 339 ppct: 17 formats: fmt: – @attributes: type: T – @attributes: type: P size: 123KB tig: atl: A View from the Trenches of Music 2.0. aug: au: Young, Sherman Collins, Steve su: Music industry Music & technology Technological innovations Music & society Australian music Music Sound recording industry Web 2.0 Economics Australia sug: subj: Australia Music industry Music & technology Technological innovations Music & society Australian music Music Sound recording industry Web 2.0 Economics ab: In recent history, the music industry has been built on a small number of relationships, largely driven from the top down. While the actual music forges a direct link between musicians and their fans, the reality of the industry is that a number of intermediaries interrupt that relationship, forcing musicians to communicate through their management companies and record labels. The promise of the new technologies is to reconfigure the possibilities, allowing the emergence of new relationships. The communication and distribution potential of the Internet (which can be encapsulated as Music 2.0) suggests that disintermediation and reconfigured relationships are possible. But what is the reality of this promise? In the context of a broader global experience, this paper draws on primary research consisting of interviews with a range of Australian musicians to explore how they may be forging new networks of opportunity, and how realistic the promise of Music 2.0 might be. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Popular Music & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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