Exploring informed virtual sites through Michel Foucault's heterotopias.

This papers starts with some mysterious contribution by Michel Foucault (1967) about heterotopias as special epistemological sites. With a recent case-study – an immersive virtual reality art project dealing with some ancient abbey reconstruction and managed by a French engineering school – we analy...

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Publicado en:International Journal of Humanities & Arts Computing: A Journal of Digital Humanities Vol. 3; no. 1/2; pp. 175 - 192
Autores principales: Rousseaux, Francis, Thouvenin, Indira
Formato: Artículo
Publicado: Edinburgh University Press Mar2009
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Exploring informed virtual sites through Michel Foucault's heterotopias.
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          Rousseaux, Francis
          Thouvenin, Indira
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        Foucault, Michel, 1926-1984
        Three-dimensional imaging
        Imaginary places
        Shared virtual environments
        Virtual reality
        Utopias
        Imaging systems
        Compiègne (France)
        France
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          Compiègne (France)
          France
          Foucault, Michel, 1926-1984
          Three-dimensional imaging
          Imaginary places
          Shared virtual environments
          Virtual reality
          Utopias
          Imaging systems
      keyword:
        Ancient abbey of Compiègne-France
        Artificial presence
        Imaginary space
        Immersive art
        Informed virtual environment
        Michel Foucault's heterotopias
        Realism vs. Provocation
      ab: This papers starts with some mysterious contribution by Michel Foucault (1967) about heterotopias as special epistemological sites. With a recent case-study – an immersive virtual reality art project dealing with some ancient abbey reconstruction and managed by a French engineering school – we analyse the successive attempts to satisfy the system users by extending Foucault's heterotopology, which appears to be useful and creative for the Virtual Reality research communities.
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    language: English
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      custom: Copyright of International Journal of Humanities & Arts Computing: A Journal of Digital Humanities is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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