The anthology as a medium for feminist debate in the UK.
This article examines the inextricable links between any society and the publishing industry that serves it. I take the example of British non-fiction feminist anthologies to show how the dominant mode of capitalist publishing is antithetical to a radical feminist analysis of society and efforts to...
| Publicado en: | Women's Studies International Forum Vol. 25; no. 2; pp. 193 - 208 |
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| Formato: | Artículo |
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Elsevier Science
March/April 2002
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=513130893&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 513130893 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 02775395 WSI jtl: Women's Studies International Forum issn: 02775395 maglogo: N pubinfo: dt: March/April 2002 vid: 25 iid: 2 pid: 2410 pub: Elsevier Science artinfo: ui: 513130893 10.1016/S0277-5395(02)00230-3 ppf: 193 ppct: 15 formats: tig: atl: The anthology as a medium for feminist debate in the UK. aug: au: Chester, Gail su: Anthologies Women publishers Feminist literature Publishing United Kingdom sug: subj: United Kingdom Anthologies Women publishers Feminist literature Publishing ab: This article examines the inextricable links between any society and the publishing industry that serves it. I take the example of British non-fiction feminist anthologies to show how the dominant mode of capitalist publishing is antithetical to a radical feminist analysis of society and efforts to change it. The article falls into two main parts: first, an analytic history of feminist anthologies in Britain, which examines the connections between feminist anthology publishing and feminist social movements since the nineteenth century; and second, a critique of the literary-industrial complex and its effects on feminist publishing, which assesses the current institutional power politics of academia and publishing via a consideration of: the corporatisation of women's studies; the nature of canon formation; and the influence and evolution of technologies. Copyright (c) 2002 Elsevier Science Ltd pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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