New Media and the Circuit of Cyber-Culture: Conceptualizing Napster.

Media studies scholars have employed the “cultural circuit” model to analyze media in the context of capitalist political economy. This model identifies interrelated “moments” in which the meanings of cultural products are determined, negotiated, and subverted in interaction between producers and au...

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Publicado en:Journal of Broadcasting & Electronic Media Vol. 46; no. 4; pp. 607 - 630
Autores principales: Taylor, Bryan C., Demont-Heinrich, Christof, Broadfoot, Kirsten J.
Formato: Artículo
Publicado: Taylor & Francis Ltd December 2002
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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          Taylor, Bryan C.
          Demont-Heinrich, Christof
          Broadfoot, Kirsten J.
      su:
        Napster Inc.
        Napster (Computer program)
        Internet & society
        Consumption (Economics)
        Popular culture
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        subj:
          Napster Inc.
          Napster (Computer program)
          Internet & society
          Consumption (Economics)
          Popular culture
      keyword: Consumption (Economics) -- International aspects
      ab: Media studies scholars have employed the “cultural circuit” model to analyze media in the context of capitalist political economy. This model identifies interrelated “moments” in which the meanings of cultural products are determined, negotiated, and subverted in interaction between producers and audiences. The turbulent evolution of new media, however, requires continuous reflection on the adequacy of conceptual tools. Analysis of recent controversy surrounding the Internet music-exchange service Napster indicates that the cultural circuit model must be modified to accommodate the emerging media of cyber-culture. Reprinted by permission of the publisher.
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    language: English
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