MUSIC RADIO AND GLOBAL MEDIATION.
This article offers a model for studying the dynamics of globalized popular musics, that fills methodological and theoretical lacunae in existing scholarly approaches. It deals with the emergence and circulation of a hybrid popular music called musica ayacuchana, which over the 1990s became an impor...
| Publicado en: | Cultural Studies Vol. 24; no. 4; pp. 553 - 580 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Jul2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=52444882&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 52444882 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09502386 05G jtl: Cultural Studies issn: 09502386 maglogo: N pubinfo: dt: Jul2010 vid: 24 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 52444882 10.1080/09502386.2010.488409 ppf: 553 ppct: 27 formats: fmt: – @attributes: type: T – @attributes: type: P size: 163KB tig: atl: MUSIC RADIO AND GLOBAL MEDIATION. aug: au: Tucker, Joshua su: Popular music Radio & music Globalization & society Music & globalization Musical style Disc jockey radio programs Radio stations Public sphere Social change Lima (Peru) Peru sug: subj: Lima (Peru) Peru Popular music Radio & music Globalization & society Music & globalization Musical style Disc jockey radio programs Radio stations Public sphere Social change keyword: globalization popular music public sphere radio ab: This article offers a model for studying the dynamics of globalized popular musics, that fills methodological and theoretical lacunae in existing scholarly approaches. It deals with the emergence and circulation of a hybrid popular music called musica ayacuchana, which over the 1990s became an important site of identification for the emergent Andean migrant middle class of Lima, Peru. Describing the role of radio stations and, particularly, DJs' actions in this process, I suggest that attention to the working practices of mediators can reveal how popular music becomes attached to new identities, particularly in the context of broader social changes. Further, I use this example to show why scholarly accounts of globalization, which rarely attend to the everyday mechanics of mediation, must take them into account, to arrive at a satisfactory understanding of the way that these processes engage, challenge, and/or reproduce social hierarchies. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Cultural Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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