“Join the Knitting Revolution”: Third-Wave Feminist Magazines and the Politics of Domesticity.

The mid-1990s saw the rise of a new sub-genre of political magazine in the United States: the “third-wave” feminist periodical. A key feature of these publications is that they promote reclaiming and repoliticizing activities traditionally associated with the domestic sphere, particularly knitting....

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Publicado en:Canadian Review of American Studies Vol. 40; no. 2; pp. 259 - 278
Autor principal: Groeneveld, Elizabeth
Formato: Artículo
Publicado: University of Toronto Press 2010
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Groeneveld, Elizabeth
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        Feminist literature
        Third-wave feminism
        Politics & literature
        Feminism
        Bust (Periodical)
        Knitting
        Social movements
        Women's rights
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          United States
          Feminist literature
          Third-wave feminism
          Politics & literature
          Feminism
          Bust (Periodical)
          Knitting
          Social movements
          Women's rights
      keyword:
        études américaines contemporaines
        artisanat
        contemporary US studies
        crafting
        domesticité
        domesticity
        féminisme de troisième vague
        périodiques
        periodicals
        third-wave feminism
      ab: The mid-1990s saw the rise of a new sub-genre of political magazine in the United States: the “third-wave” feminist periodical. A key feature of these publications is that they promote reclaiming and repoliticizing activities traditionally associated with the domestic sphere, particularly knitting. This paper critically examines and historically contextualizes the discourses on the “new” knitting in the letters to the editor, editorials, articles, and advertisements of third-wave feminist periodicals and argues that contemporary feminist craft cultures sit at a politically ambiguous nexus of privilege, complicity, and resistance. By historicizing third-wave periodicals' promotion of knitting, this paper sheds light on changing ways in which the domestic sphere has figured within the broader history of US feminism and suggests that, despite their appeals to the “new,” these periodicals are very much in conversation with what is, to some extent, an imagined feminist “past.”
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