Too Many Notes: Computers, Complexity and Culture in Voyager.
The author discusses his computer music composition, Voyager, which employs a computer-driven, interactive "virtual improvising orchestra" that analyzes an improvisor's performance in real time, generating both complex responses to the musician's playing and independent behavior arising from the pro...
| Publicado en: | Leonardo Music Journal Vol. 10; no. 1; pp. 33 - 40 |
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| Formato: | Artículo |
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MIT Press
Dec2000
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=5337395&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 5337395 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2000 vid: 10 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 5337395 10.1162/096112100570585 ppf: 33 ppct: 7 formats: fmt: @attributes: type: P size: 179KB tig: atl: Too Many Notes: Computers, Complexity and Culture in Voyager. aug: au: Lewis, George E. su: Computer music Orchestral music sug: subj: Computer music Orchestral music ab: The author discusses his computer music composition, Voyager, which employs a computer-driven, interactive "virtual improvising orchestra" that analyzes an improvisor's performance in real time, generating both complex responses to the musician's playing and independent behavior arising from the program's own internal processes. The author contends that notions about the nature and function of music are embedded in the structure of software-based music systems and that interactions with these systems tend to reveal characteristics of the community of thought and culture that produced them. Thus, Voyager is considered as a kind of computer music-making embodying African-American aesthetics and musical practices. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2000 holdings: @attributes: islocal: N |
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