Free Enterprise: Virtual Capital and Counterfeit Music at the End of the Century.
How does a piece of computer network music reflect the virtual economy of the late twentieth century? Was the "open-form" music of the 1960s a bedfellow of organizational science? The author conjectures about the nature of distributed composition and the socioeconomic implications of its application...
| Publicado en: | Leonardo Music Journal Vol. 9; no. 1; pp. 19 - 23 |
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| Formato: | Artículo |
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MIT Press
Dec1999
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | How does a piece of computer network music reflect the virtual economy of the late twentieth century? Was the "open-form" music of the 1960s a bedfellow of organizational science? The author conjectures about the nature of distributed composition and the socioeconomic implications of its application in a composition for networked credit card readers. |
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