Facing the Music: Perspectives on Machine-Composed Music.
The author describes some of the processes required in creating Experiments in Musical Intelligence, a computer program for the simulation of musical styles. He then outlines many of the problems listeners face when attempting to deal with successful output from such programs. These problems involve...
| Publicado en: | Leonardo Music Journal Vol. 9; no. 1; pp. 79 - 88 |
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| Formato: | Artículo |
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MIT Press
Dec1999
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=5337428&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 5337428 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec1999 vid: 9 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 5337428 10.1162/096112199750316857 ppf: 79 ppct: 9 formats: fmt: @attributes: type: P size: 613KB tig: atl: Facing the Music: Perspectives on Machine-Composed Music. aug: au: Cope, David su: Computer software Computer music software sug: subj: Computer software Computer music software ab: The author describes some of the processes required in creating Experiments in Musical Intelligence, a computer program for the simulation of musical styles. He then outlines many of the problems listeners face when attempting to deal with successful output from such programs. These problems involve redefining terms, debating human- versus computer-creativity and, ultimately, grappling with the meaning of music. This discussion includes an example from the computer-composed opera Mahler. The author argues that such music should be considered integral to mainstream human-composed music since it results from a collaboration between humans and the machines they have created. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 1999 holdings: @attributes: islocal: N |
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