Real-time Score Generation for Extensible Open Forms.
While composers have often employed graphic scores and other extended notation systems to explore open-form, collaborative, and aleatoric musical processes, the notational forms themselves have traditionally been presented to performers through fixed, paper-based media. In this article, several comp...
| Publicado en: | Contemporary Music Review Vol. 29; no. 1; pp. 3 - 16 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
2010
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=53772442&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 53772442 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2010 vid: 29 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 53772442 10.1080/07494467.2010.509588 ppf: 3 ppct: 13 formats: fmt: – @attributes: type: T – @attributes: type: P size: 612KB tig: atl: Real-time Score Generation for Extensible Open Forms. aug: au: Kim-Boyle, David su: Musical composition Musical form Open form music Music publishing Music software sug: subj: Musical composition Musical form Open form music Music publishing Music software keyword: Graphic Scores Notation Open Form Score Generation Typography ab: While composers have often employed graphic scores and other extended notation systems to explore open-form, collaborative, and aleatoric musical processes, the notational forms themselves have traditionally been presented to performers through fixed, paper-based media. In this article, several compositions by the author are described in which dynamic scores are generated in real-time during a performance and projected for the performer to read from a laptop screen or video display. The processes used to generate such scores will be described in detail and a number of the practical and musical challenges presented by the notational procedures employed will also be addressed. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
|---|