Like Father, Like Son: Poetic Strategies in "The Middle Brother" (Madhyama-vyāyoga) Attributed to Bhāsa.

The one-act Sanskrit drama Madhyama-vyāyoga or "The Middle Brother" attributed to Bhāsa describes an oedipal encounter between the Pāndava hero Bhīmasena and his half-demon son Ghatotkaca. The author utilizes subtle techniques of word choice and strategic repetition of key words, particularly sadrśa...

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Publicado en:Indo-Iranian Journal Vol. 53; no. 1; pp. 1 - 23
Autor principal: Salomon, Richard
Formato: Artículo
Publicado: Brill Academic Publishers Mar2010
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Salomon, Richard
        affil: University of Washington, Seattle, USA
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        Sanskrit drama
        Publications
        Manuscripts
        Keywords
        Authors
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          Sanskrit drama
          Publications
          Manuscripts
          Keywords
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      keyword:
        Bhāsa
        Bhīmasena
        BHASA
        BHIMASENA
        Ghaṭtotkaca
        GHATOTKACA
        Hiḑimbā
        HIDIMBA
        kāvya
        KAVYA
        LEITWORTSTIL
        Madhyama-vyāyoga
        MADHYAMA-VYAYOGA
        Mahābhārata dramas
        MAHABHARATA DRAMAS
        SANSKRIT DRAMA
        Trivandrum plays
      ab: The one-act Sanskrit drama Madhyama-vyāyoga or "The Middle Brother" attributed to Bhāsa describes an oedipal encounter between the Pāndava hero Bhīmasena and his half-demon son Ghatotkaca. The author utilizes subtle techniques of word choice and strategic repetition of key words, particularly sadrśa 'like, similar,' to hint at the underlying similarity of the superficially unlike pair. This keyword technique, which is found only sporadically in Sanskrit, is compared to similar techniques in other literatures, particularly the Leitwortstil characteristic of Biblical Hebrew.
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    language: English
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