Bottling the Imagination: Writing as Metamorphosis in Ali Smith's Girl Meets Boy.

This article discusses ideas about creativity in the context of a recent work by Ali Smith, Girl Meets Boy. It follows Pope in theorising a view of creativity that sees it as re-creation and demonstrates the extent to which the context in which Smith's novel is produced, as well as the acknowledged...

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Published in:New Writing: The International Journal for the Practice & Theory of Creative Writing Vol. 7; no. 3; pp. 241 - 252
Main Author: Doloughan, Fiona
Format: Literary Criticism
Published: Taylor & Francis Ltd 2010
Subjects:
Online Access:View this record in EBSCOhost
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        atl: Bottling the Imagination: Writing as Metamorphosis in Ali Smith's Girl Meets Boy.
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        au: Doloughan, Fiona
        affil: University of Surrey, English, 35AC05, Dept. of English, University of Surrey, Guildford, GU1 7XH, United Kingdom
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        Girl Meets Boy: The Myths of Iphis (Book : Smith)
        Smith, Ali, 1962-
        Creative ability
        Authorship
        Creative writing education
        Education
        Mythology in literature
        Pope, R.
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          Girl Meets Boy: The Myths of Iphis (Book : Smith)
          Smith, Ali, 1962-
          Creative ability
          Authorship
          Creative writing education
          Education
          Mythology in literature
          Pope, R.
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        authorship
        creativity
        critical reading
        fiction
        narratology
        translation
      ab: This article discusses ideas about creativity in the context of a recent work by Ali Smith, Girl Meets Boy. It follows Pope in theorising a view of creativity that sees it as re-creation and demonstrates the extent to which the context in which Smith's novel is produced, as well as the acknowledged sources underlying it, helps to shape it as text. In examining the relationship between Smith's source texts and the target text she produces, it seeks to point to her creative capacity in re-imagining and re-working an ancient myth in a contemporary context. It focuses, in particular, on her embedded critique of the debasement and commercial packaging of language in marketing and advertising contexts and of a worldview that would see everything, including the imagination, as a commodity capable of being bottled and sold.
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