The Reception of Ancient Greek Music in the Late Nineteenth Century.
During the 1890s such French composers as Erik Satie, Camille Saint-Saëns, and Claude Debussy participated in a revival of interest in the music of ancient Greece. The contemporaneous French excavation under the direction of Théophile Homolle unearthed almost the complete assemblage of ashlar blocks...
| Publicado en: | International Journal of the Classical Tradition Vol. 17; no. 4; pp. 497 - 526 |
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| Formato: | Artículo |
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Springer Nature
Dec2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=55199473&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 55199473 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10730508 IJC jtl: International Journal of the Classical Tradition issn: 10730508 maglogo: N pubinfo: dt: Dec2010 vid: 17 iid: 4 pid: 237 pub: Springer Nature artinfo: ui: 55199473 10.1007/s12138-010-0216-1 ppf: 497 ppct: 29 formats: fmt: @attributes: type: P size: 196KB tig: atl: The Reception of Ancient Greek Music in the Late Nineteenth Century. aug: au: Solomon, Jon affil: Department of Classics, University of Illinois, Urbana — Champaign, 4080 Foreign Languages Building, 707 South Matthews Avenue, Urbana, IL 61801, USA su: Greek & Roman music Satie, Erik, 1866-1925 Music history Greek gods Composers sug: subj: Greek & Roman music Satie, Erik, 1866-1925 Music history Greek gods Composers ab: During the 1890s such French composers as Erik Satie, Camille Saint-Saëns, and Claude Debussy participated in a revival of interest in the music of ancient Greece. The contemporaneous French excavation under the direction of Théophile Homolle unearthed almost the complete assemblage of ashlar blocks that formed the Athenian Treasury at Delphi. More than one dozen of these blocks were inscribed with relatively extensive fragments of two second-century BC paeans to Apollo notated with Greek music. From the summer of 1893 to the winter of 1894 Otto Crusius, Henri Weil, and Théodore Reinach transcribed the Delphic inscriptions and issued a number of publications in journal articles and extractions. Limenios' 'Hymne á Apollon' in particular was promulgated by Théodore Reinach in his capacity as the editor of Revue des études grecques. Reinach commissioned the composer Gabriel Fauré to compose a modern accompaniment, and in 1894-1895 the hymn received a number of public performances in France, England, and the United States. In his memoires Baron Pierre de Coubertin claimed that the performance of the hymn at the first International Olympic Congress in June, 1895, created an ' antique eurythmie' which inspired the international cooperation required for the ultimate success of the Olympic movement. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: International Journal of the Classical Tradition is a copyright of Springer, 2010. All Rights Reserved. item: International Journal of the Classical Tradition holder: Springer Nature dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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