"Comprovisation": The Various Facets of Composed Improvisation within Interactive Performance Systems.
This article discusses the balance between composition and improvisation with respect to interactive performance using electronic and computer-based music systems. The author uses his own experience in this domain in the roles of both collaborator and composer as a point of reference to look at gene...
| Publicado en: | Leonardo Music Journal Vol. 20; no. 1; pp. 29 - 32 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
MIT Press
Dec2010
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=55233020&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 55233020 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2010 vid: 20 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 55233020 10.1162/LMJ_a_00009 ppf: 29 ppct: 3 formats: fmt: @attributes: type: P size: 78KB tig: atl: "Comprovisation": The Various Facets of Composed Improvisation within Interactive Performance Systems. aug: au: Dudas, Richard affil: Musician, educator, Hanyang University School of Music Composition Department, 17 Haengdang-dong, Seongdong-gu, 133-791 Seoul, Korea su: Music improvisation Computer music Musical composition Electronic music Interactive multimedia sug: subj: Music improvisation Computer music Musical composition Electronic music Interactive multimedia ab: This article discusses the balance between composition and improvisation with respect to interactive performance using electronic and computer-based music systems. The author uses his own experience in this domain in the roles of both collaborator and composer as a point of reference to look at general trends in "composed improvisation" within the electronic and computer music community. Specifically, the intention is to uncover the limits and limitations of improvisation and its relationship to both composition and "composed instruments" within the world of interactive electronic musical performance. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
|---|