Piano+: An Approach towards a Performance System Used within Free Improvisation.
This article explores the author's strategy for developing a computer performance system designed for free improvisation with acoustic instruments following a nonidiomatic approach. Philosophical considerations on potentiality and personal and social space and research into the psychology of motivat...
| Publicado en: | Leonardo Music Journal Vol. 20; no. 1; pp. 41 - 47 |
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| Formato: | Artículo |
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MIT Press
Dec2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=55233022&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 55233022 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2010 vid: 20 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 55233022 10.1162/LMJ_a_00011 ppf: 41 ppct: 6 formats: fmt: @attributes: type: P size: 537KB tig: atl: Piano+: An Approach towards a Performance System Used within Free Improvisation. aug: au: Lexer, Sebastian affil: Musician, lecturer, student, Goldsmiths, University of London, Lewisham Way, New Cross, London SE14 6NW, U.K. su: Music improvisation Computer music Musical performance Social space Personal space sug: subj: Music improvisation Computer music Musical performance Social space Personal space ab: This article explores the author's strategy for developing a computer performance system designed for free improvisation with acoustic instruments following a nonidiomatic approach. Philosophical considerations on potentiality and personal and social space and research into the psychology of motivation and behavior have inspired and enabled a different approach to integrating technology with improvisation. The technical realization of a parameter space, in particular utilizing contingent behavior emerging from the convergent mapping of a mixture of controller types, has proven effective for the spontaneous creative decision making required to extend the sonic potential of an acoustic piano while minimizing direct computer operation, as applied regularly in practice by the author. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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