Lost, The Prisoner, and the End of the Story.

This article compares Lost and The Prisoner as narratives that have similar places in television history, particularly with regard to narrative closure. Whereas The Prisoner's recursive ending suggests pessimism, Lost produces a new kind of narrative that provides resolution while maintaining ambigu...

Full description

Bibliographic Details
Published in:Journal of Popular Film & Television Vol. 38; no. 4; pp. 176 - 186
Main Author: Morreale, Joanne
Format: Article
Published: Taylor & Francis Ltd Winter2010
Subjects:
Online Access:View this record in EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=55656740&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 55656740
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        01956051
        JFT
      jtl: Journal of Popular Film & Television
      issn: 01956051
      maglogo: N
    pubinfo:
      dt: Winter2010
      vid: 38
      iid: 4
      pid: 377
      pub: Taylor & Francis Ltd
    artinfo:
      ui:
        55656740
        10.1080/01956051.2010.508504
      ppf: 176
      ppct: 10
      formats:
      tig:
        atl: Lost, The Prisoner, and the End of the Story.
      aug:
        au: Morreale, Joanne
        affil: Northeastern University
      su:
        Lost (TV program)
        Prisoner, The (TV program)
        Science fiction television programs
        Television program plots & themes
        McGoohan, Patrick
        Television program genres
        Television history
      sug:
        subj:
          Lost (TV program)
          Prisoner, The (TV program)
          Science fiction television programs
          Television program plots & themes
          McGoohan, Patrick
          Television program genres
          Television history
      keyword:
        genre
        Lost
        narrative
        The Prisoner
        transmedia
      ab: This article compares Lost and The Prisoner as narratives that have similar places in television history, particularly with regard to narrative closure. Whereas The Prisoner's recursive ending suggests pessimism, Lost produces a new kind of narrative that provides resolution while maintaining ambiguity and offers hope rather than despair.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      dt:
        @attributes:
          year: 2010
    holdings:
      @attributes:
        islocal: N