Two-fold Origin: Performing Hybrids between Theatre and Media.
The article discusses the application of underlying rules of visual arts to live performance in the Flemish art scene. It cites artists whose works are combination of visual arts, industrial design and architectural settings within the framework of theatre, including Merlin Spie, Lawrence Malstaf, E...
| Published in: | Contemporary Theatre Review Vol. 20; no. 4; pp. 475 - 486 |
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| Format: | Article |
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Taylor & Francis Ltd
2010
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=57657920&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 57657920 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10486801 7VS jtl: Contemporary Theatre Review issn: 10486801 maglogo: N pubinfo: dt: 2010 vid: 20 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 57657920 10.1080/10486801.2010.506350 ppf: 475 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 614KB tig: atl: Two-fold Origin: Performing Hybrids between Theatre and Media. aug: au: Vanhoutte, Kurt affil: Universiteit Antwerpen, Theater-Film, en Literatuurstudies, Prinsstraat 13 (D208), 2000 Antwerpen, Belgium su: Flemish art Flemish drama Theater Artists Performing arts Spie, Merlin Malstaf, Lawrence Joris, Eric sug: subj: Flemish art Flemish drama Theater Artists Performing arts Spie, Merlin Malstaf, Lawrence Joris, Eric ab: The article discusses the application of underlying rules of visual arts to live performance in the Flemish art scene. It cites artists whose works are combination of visual arts, industrial design and architectural settings within the framework of theatre, including Merlin Spie, Lawrence Malstaf, Eric Joris and Kris Verdonck. The article notes that these artists do not envision a wholesale adaptation from visual to performing arts. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Theatre Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Theatre Review holder: Taylor & Francis Ltd dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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