The Social Contract and Symbolic Structure in Three Vietnamese Tales of the "Last Born.".
In this study of how a last-born sibling in three Vietnamese folktales is cut of from a reasonable share of an inheritance after the death of the father, I argue that this tale type is structured to affirm the idea of a just social contract, and the motif of the last born tale type is affected by sh...
| Published in: | Asian Ethnology Vol. 69; no. 2; pp. 293 - 311 |
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| Format: | Article |
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Nanzan University
2010
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=57759708&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 57759708 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18826865 77TL jtl: Asian Ethnology issn: 18826865 maglogo: N pubinfo: dt: 2010 vid: 69 iid: 2 pid: 9052 pub: Nanzan University artinfo: ui: 57759708 ppf: 293 ppct: 18 formats: fmt: @attributes: type: P size: 228KB tig: atl: The Social Contract and Symbolic Structure in Three Vietnamese Tales of the "Last Born.". aug: au: Tran Quynh Ngoc Bui affil: Ho Chi Minh City University of Education, Vietnam su: Youngest child Social contract Legends Vietnamese folk literature Tale (Literary form) Punishment Reward (Psychology) Happiness Vietnam sug: subj: Vietnam Youngest child Social contract Legends Vietnamese folk literature Tale (Literary form) Punishment Reward (Psychology) Happiness keyword: folktale last born social contract ultimogeniture ab: In this study of how a last-born sibling in three Vietnamese folktales is cut of from a reasonable share of an inheritance after the death of the father, I argue that this tale type is structured to affirm the idea of a just social contract, and the motif of the last born tale type is affected by shifts in social structure away from a tradition of ultimogeniture. With the rise of a patriarchal system, the youngest was ousted and effectively disinherited. The youngest, who has little possibility of leading a happy life in a society which privatizes property and assigns it to the eldest, becomes a sympathetic figure and the ultimate beneficiary, in folktale, of power and happiness. By focusing on the contrapuntal depiction of the actions of the two brothers and the tale's allocation of appropriate rewards and punishments, I conclude that this depiction reflects a clear moral perspective on the notion of a just social contract and social attitude toward society's "unfortunates." pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Asian Ethnology is the property of Nanzan University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Asian Ethnology holder: Nanzan University dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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