A Dialogue Through Memories: Still Walking.

The author examines the link between memory and identity in films directed by Kore-eda Hirokazu such as "Maborosi," "Without Memory" and "Distance." In "Still Walking," the film was inspired by Kore-eda's memories of his mother which he gathered from his conversations with her from 2004 to 2006. The...

Descripción completa

Detalles Bibliográficos
Publicado en:Film Criticism Vol. 35; no. 2/3; pp. 110 - 127
Autor principal: Wada-Marciano, Mitsuyo
Formato: Artículo
Publicado: Film Criticism Winter2010/Spring2011
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=58085367&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 58085367
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        01635069
        53B
      jtl: Film Criticism
      issn: 01635069
      maglogo: N
    pubinfo:
      dt: Winter2010/Spring2011
      vid: 35
      iid: 2/3
      pid: 8220
      pub: Film Criticism
    artinfo:
      ui: 58085367
      ppf: 110
      ppct: 17
      formats:
        fmt:
          @attributes:
            type: P
            size: 5.8MB
      tig:
        atl: A Dialogue Through Memories: Still Walking.
      aug:
        au: Wada-Marciano, Mitsuyo
        affil: Associate Professor in Film Studies, School for Studies in Art and Culture, Carleton University, Canada
      su:
        Memory
        Koreeda, Hirokazu, 1962-
        Maborosi (Film)
        Documentary films
        Still Walking (Film)
      sug:
        subj:
          Memory
          Koreeda, Hirokazu, 1962-
          Maborosi (Film)
          Documentary films
          Still Walking (Film)
      ab: The author examines the link between memory and identity in films directed by Kore-eda Hirokazu such as "Maborosi," "Without Memory" and "Distance." In "Still Walking," the film was inspired by Kore-eda's memories of his mother which he gathered from his conversations with her from 2004 to 2006. The author questions the link between cinema and memory, focusing on personal memory as a fundamental component of individual identity shared with others through the medium of cinema. A synopsis of the "Still Walking" plot is given.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Film Criticism is the property of Film Criticism and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Film Criticism
      holder: Film Criticism
      dt:
        @attributes:
          year: 2010
    holdings:
      @attributes:
        islocal: N