Miller's answer: Making, Saying, and the Impulse to Write.

Starting with attempts by several authors, in particular Arthur Miller, to explain the nature of the impulse to write, this paper examines the tensions and relationships between conceptions of the act of writing as 'making' and as 'saying'. Writing conceived as craft is explored using recent ideas f...

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Bibliographic Details
Published in:New Writing: The International Journal for the Practice & Theory of Creative Writing Vol. 8; no. 1; pp. 71 - 90
Main Author: Meredith, Christopher
Format: Article
Published: Taylor & Francis Ltd 2011
Subjects:
Online Access:View this record in EBSCOhost
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        au: Meredith, Christopher
        affil: University of Glamorgan, Faculty of Humanities & Social Sciences, Pontypridd, UK
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        Creative writing
        Sociological research
        Neurosciences
        Interdisciplinary approach to knowledge
        Fiction
        Poetry (Literary form)
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          Creative writing
          Sociological research
          Neurosciences
          Interdisciplinary approach to knowledge
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          Poetry (Literary form)
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        Arthur Miller
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      ab: Starting with attempts by several authors, in particular Arthur Miller, to explain the nature of the impulse to write, this paper examines the tensions and relationships between conceptions of the act of writing as 'making' and as 'saying'. Writing conceived as craft is explored using recent ideas from sociology and neuroscientific research into how we learn to read and write. Writing as 'saying' is examined in terms of its capacity to 'bear witness' to the world and the nature of consciousness and some of the ethical implications of this. The capacity of fiction and poetry to represent consciousness is examined in terms of the interdisciplinary debate on the relationship between language and cognition.
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