1. Framing Art History.

The author analyzes consciousness in the production and reception of frames in art as well as the language used to describe framing in art history. He describes the essay "Mediations on the Frame," by Jose Ortega y Gasset as an encounter of consciousness and nonconsciousness and imitation of the fra...

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Publicado en:Consciousness, Literature & the Arts (1573-2193) Vol. 20; pp. 17 - 64
Autor principal: MINISSALE, GREGORY
Formato: Artículo
Publicado: Brill / Rodopi 2009
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Acceso en línea:Ver este registro en EBSCOhost
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        au: MINISSALE, GREGORY
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        Art history
        Consciousness
        Language & languages
        Classical art
        Ortega y Gasset, José, 1883-1955
        Lebensztejn, Jean-Claude
        Moore, G. E., 1873-1958
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          Art history
          Consciousness
          Language & languages
          Classical art
          Ortega y Gasset, José, 1883-1955
          Lebensztejn, Jean-Claude
          Moore, G. E., 1873-1958
      ab: The author analyzes consciousness in the production and reception of frames in art as well as the language used to describe framing in art history. He describes the essay "Mediations on the Frame," by Jose Ortega y Gasset as an encounter of consciousness and nonconsciousness and imitation of the frame's visual function. He notes that the focus of an article about framing by Jean-Claude Lebensztejn is on the frame in classical art. He examines the notion of transparency in consciousness according to philosopher G. E. Moore.
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