THE ANTITRUST ASPECTS OF MERCHANDISING MODERN MUSIC: THE ASCAP CONSENT JUDGMENT OF 1950.

The article reports that song writers banded together in business associations, which were formed for the commercial exploitation of the peculiar copyright privilege, which covers public performance. It states that the performing or performance right are called performing right societies, and the do...

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Publicado en:Law & Contemporary Problems Vol. 19; no. 2; pp. 294 - 323
Autor principal: TIMBERG, SIGMUND
Formato: Artículo
Publicado: Duke University Spring1954
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: THE ANTITRUST ASPECTS OF MERCHANDISING MODERN MUSIC: THE ASCAP CONSENT JUDGMENT OF 1950.
      aug:
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        Trade associations
        American Society of Composers Authors & Publishers
        Copyright collectives
        Merchandise licensing
        Royalties (Copyright)
        Music
        Sheet music
        Profit
        United States
      sug:
        subj:
          United States
          Trade associations
          American Society of Composers Authors & Publishers
          Copyright collectives
          Merchandise licensing
          Royalties (Copyright)
          Music
          Sheet music
          Profit
      ab: The article reports that song writers banded together in business associations, which were formed for the commercial exploitation of the peculiar copyright privilege, which covers public performance. It states that the performing or performance right are called performing right societies, and the dominant performing right society in the U.S. is the American Society of Composers, Authors and Publishers (ASCAP). It mentions that ASCAP is a licensing organization confined to the licensing of, and collection of royalties for, a single from the sub-varieties of copyright. It presents that the right to perform copyrighted music publicly for profit, is separate from the copyright in the printed sheet music.
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    language: English
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