Flanerie and Invasion in the Monstrous City: Sao Paulo in recent cinema.

Changes in the physical space of Sao Paulo are the focus of three films released early in the 21st century: O Principe (2002; The Prince), by Ugo Giorgetti; Urbania (2001), by Flavio Frederico; and O Invasor (2002; The Trespasser), by Beto Brant. All three films convey a sense of deep division in th...

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Bibliographic Details
Published in:Journal of Latin American Cultural Studies (1356-9325) Vol. 20; no. 1; pp. 35 - 49
Main Author: Sá, Lúcia
Format: Article
Published: Taylor & Francis Ltd Mar2011
Subjects:
Online Access:View this record in EBSCOhost