Towers, Birds and Divine Light: The Contested Territory of Nasrid and 'Mudéjar' Ornament.
This essay questions the validity of 'Mudéjar' as the designator of a viable stylistic or aesthetic category, instead employing topoi such as birds, thrones, towers and divine light in order to trace a complex network of 'visual polemics' surrounding the issue of the Incarnation which transcends est...
| Published in: | Medieval Encounters Vol. 17; no. 1/2; pp. 27 - 80 |
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| Format: | Article |
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Brill Academic Publishers
2011
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| Online Access: | View this record in EBSCOhost |
| Summary: | This essay questions the validity of 'Mudéjar' as the designator of a viable stylistic or aesthetic category, instead employing topoi such as birds, thrones, towers and divine light in order to trace a complex network of 'visual polemics' surrounding the issue of the Incarnation which transcends established boundaries of style and periodization. |
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