Plus ça change: Journeys, Instruments and Networks, 1966–2000.
The author has been using electronic means in performance since the late 1960s. In this article he compares his work in the 1970s and 1990s from both technical and philosophical viewpoints. How do these two periods differ? How are they similar? He concludes that, partly due to recent technological d...
| Publicado en: | Leonardo Music Journal Vol. 11; no. 1; pp. 43 - 50 |
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| Formato: | Artículo |
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MIT Press
Dec2001
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| Acceso en línea: | Ver este registro en EBSCOhost |