BRUNHILDE'S ACT.

The article presents the author's insights regarding a conference on Richard Wagner held at the Columbia University in New York in 1995, wherein one of its participants ask why should people listen to Wagner's music. The author says that Wagner's music concerns in the German ideological identity. He...

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Publicado en:International Journal of Žižek Studies Vol. 4; pp. 1 - 45
Autor principal: Žižek, Slavoj
Formato: Artículo
Publicado: International Journal of Zizek Studies Oct2010
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        Wagner, Richard, 1813-1883
        Columbia University
        German idealism
        Ring (Theatrical production)
        Berghaus, Ruth
        Parsifal (Film)
        Syberberg, Hans-Jürgen, 1935-
        New York (N.Y.)
        New York (State)
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          New York (N.Y.)
          New York (State)
          Wagner, Richard, 1813-1883
          Columbia University
          German idealism
          Ring (Theatrical production)
          Berghaus, Ruth
          Parsifal (Film)
          Syberberg, Hans-Jürgen, 1935-
      ab: The article presents the author's insights regarding a conference on Richard Wagner held at the Columbia University in New York in 1995, wherein one of its participants ask why should people listen to Wagner's music. The author says that Wagner's music concerns in the German ideological identity. He mentions the opera titled the "Ring," by Ruth Berghaus and the film "Parsifal," by Hans-Juergen Syberberg which both represents Wagner's work. He states that the Berghaus practiced deconstructive reading and undermining the aesthetic unity of the "Ring" with ideological motifs such as doll characters, while the film "Parsifal" is filled with inconsistent symbols which lack interpretative grid.
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