La relativité du Temps et de l'Espace dans le théâtre lā-maqūl de Tawfīq al-akīm.
A comparison of The Tree Climber with other plays by Tawfīq al-akīm (1898-1987) tends to challenge claims that it is a pivotal text in the author's literary career, and an emblem of Absurdism. Tawfīq al-akīm himself associates his play with a form of 'intellectual popular irrealism' or 'irrational t...
| Publicado en: | Arabica Vol. 58; no. 5; pp. 387 - 404 |
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| Formato: | Artículo |
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Brill Academic Publishers
Oct2011
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=63525989&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 63525989 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 05705398 C0W jtl: Arabica issn: 05705398 maglogo: Y pubinfo: dt: Oct2011 vid: 58 iid: 5 pid: 639 pub: Brill Academic Publishers artinfo: ui: 63525989 10.1163/157005811X575816 ppf: 387 ppct: 17 formats: fmt: @attributes: type: P size: 468KB tig: atl: La relativité du Temps et de l'Espace dans le théâtre lā-maqūl de Tawfīq al-akīm. aug: au: Denooz, Laurence affil: Université Nancy 2 - Université Libre de Bruxelles su: Tree Climber, The (Book) Determinism (Philosophy) Spacetime Philosophy Animation (Cinematography) sug: subj: Tree Climber, The (Book) Determinism (Philosophy) Spacetime Philosophy Animation (Cinematography) keyword: Absurdism Determinism irréalisme Irrealism prédéterminisme relativité du Temps et de l'Espace Relativity of Time and Space Tawfīq al-akīm théâtre absurde théâtre lā-maqūl Theater lā-maqūl ab: A comparison of The Tree Climber with other plays by Tawfīq al-akīm (1898-1987) tends to challenge claims that it is a pivotal text in the author's literary career, and an emblem of Absurdism. Tawfīq al-akīm himself associates his play with a form of 'intellectual popular irrealism' or 'irrational theater', which three distinct elements of his work come to confirm: a) the recurrence of the juxtaposition of two animated short scenes, distinct in both Time and Space; b) the invariability of his philosophical and political message throughout his work; c) the unending fight against spatio-temporal Determinism, coupled with the repeated affirmation of the relativity of the perception of Time and Space. pubtype: Academic Journal doctype: Article src: R language: French refInfo: copyright: @attributes: flag: Y custom: Copyright of Arabica is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Arabica holder: Brill Academic Publishers dt: @attributes: year: 2011 holdings: @attributes: islocal: N |
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