The stereoscope and the miniature.
The world was drastically reduced in scale as it entered nineteenth- and early twentieth-century homes (1850-1920) through stereoscopes. The stereo image was always miniature. Its size was a topic of concern in the nineteenth century, yet the significance of scale to stereoscopy has not been substan...
| Publicado en: | Early Popular Visual Culture Vol. 9; no. 3; pp. 171 - 191 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Aug2011
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=65216828&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 65216828 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 17460654 15UY jtl: Early Popular Visual Culture issn: 17460654 maglogo: N pubinfo: dt: Aug2011 vid: 9 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 65216828 10.1080/17460654.2011.601159 ppf: 171 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 875KB tig: atl: The stereoscope and the miniature. aug: au: Pietrobruno, Sheenagh affil: Department of English Language and Literature, Faith University, Istanbul, Turkey su: Stereoscope Three-dimensional imaging Imaging systems Photography Nineteenth century sug: subj: Stereoscope Three-dimensional imaging Imaging systems Photography Nineteenth century keyword: Constantinople (Istanbul) gigantic media history miniature miniaturization New York stereo image stereoscope the city visual media ab: The world was drastically reduced in scale as it entered nineteenth- and early twentieth-century homes (1850-1920) through stereoscopes. The stereo image was always miniature. Its size was a topic of concern in the nineteenth century, yet the significance of scale to stereoscopy has not been substantially researched within the field of early popular visual culture. The miniature quality of the stereoscopic spectacle is approached in terms of contemporary and nineteenth-century perspectives. This exploration raises the issue of whether a connection can be drawn between dimension and standardization that was characteristic of stereography as the first photographic mass medium. This potential link between the miniature and the establishment of standards is traced through nineteenth-century stereographs of two cities, New York and Constantinople (Istanbul). pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Early Popular Visual Culture is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Early Popular Visual Culture holder: Taylor & Francis Ltd dt: @attributes: year: 2011 holdings: @attributes: islocal: N |
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