"Suure tamme" laul - süntees.

A cyclic space-time concept in which one cycle corresponds to one year, can be used as a basis for an integral theory of a mythic world-and-time tree. According to this theory, mythic oaks of the runo songs are symbols both of the time/year and world/nature: growth of an oak symbolises growth of a y...

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Publicado en:Mäetagused no. 48; pp. 111 - 127
Autor principal: Goršič, Matej
Formato: Artículo
Publicado: Estonian Literary Museum, Department of Folkloristics 2011
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Acceso en línea:Ver este registro en EBSCOhost
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      pub: Estonian Literary Museum, Department of Folkloristics
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        atl: "Suure tamme" laul - süntees.
      aug:
        au: Goršič, Matej
      su:
        Spacetime
        Mythology
        Rune songs
        Semantics
        Thunder gods
      sug:
        subj:
          Spacetime
          Mythology
          Rune songs
          Semantics
          Thunder gods
      keyword:
        comparative mythology
        cyclic space-time
        integral interpretation
        runo song poetry
        symbolic analysis
        thunder-god
        aja ja kosmose tsükliline käsitlus
        piksejumal
        regilaul
        sümbolanalüüs
        sünteetiline tõlgendus
        Suur tamm
        võrdlev mütoloogia
      ab:
        A cyclic space-time concept in which one cycle corresponds to one year, can be used as a basis for an integral theory of a mythic world-and-time tree. According to this theory, mythic oaks of the runo songs are symbols both of the time/year and world/nature: growth of an oak symbolises growth of a year-nature (1) reaching its summit or balance at midsummer (representatives of the "good oak" in runo song poetry: the beer oak, the gold wheel oak, the love oak, the sun oak), (2) leading, due to its overgrowth, into the loss of balance reaching its bottom at midwinter when the sun disappears (the "bad oak" in the runo song poetry: the great oak overshadows the sun), when (3) a saviour ends the old year-nature cycle, starting, at the same time, the new one (by chopping down the great oak, he liberates the sun). For the world-and-time tree theory speak (1) the semantic connections iso tammi 'great oak' - isotammi 'January' - tammi 'axis, pole', (2) those variants of the Great Oak Song according to which the great oak grows on the location meaning the centre of the world, (3) the double nature of the oakchopper expressing his role of a mediator between the old and the new cycle. The oak-chopper's double nature, his function as a bringer of a turn of the year, denomination ukko(nen) 'old man, thunder-god, thunder', fire-blazing axe, bell, beard, and hair strongly suggest that the runo song singers of the northern runo song areas interpreted him as a thundergod. The closest cross-cultural counterparts to the great oak of the runo song poetry are the great apple and the great birch of the Mordvinian folk songs. It is very probable that the Runo Song of the Great Oak and the Mordvinian Song of the Great Apple/Birch have both been formed from one and the same proto-song which was very similar to them. Regardless of the unclear status of the oak-chopper in the proto-song, in Viena Karelia the thunderstorm myth or its transformations have most strongly influenced the Runo Song of the Great Oak.
        Artikkel esitab tsüklilisel aja- ja ruumikäsitlusel põhineva "Suure tamme" runo sünteetilise tõlgenduse. Laulu ja selle uurimise ajaloo lühiülevaate järel keskendub artikkel semantilisele paralleelile iso tammi - tammikuu (suur tamm - jaanuar). Artikli keskmises osas seotakse suure tamme maailma- ja ajaülene mõõde maailma- ja ajapuu teooriaga. Edaspidi keskendub artikkel tammeraiuja kahetisele olemusele ja tema seostele pikseilma müüdiga. Artikli lõpetab "Suure tamme" ürglaulu teooria.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Estonian
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      custom: Copyright of Mäetagused is the property of Estonian Literary Museum, Department of Folkloristics and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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      holder: Estonian Literary Museum, Department of Folkloristics
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          year: 2011
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