Mapping the Moment: a spatio-temporal interface for studying performance culture, Nottingham, 1857-1867.
The Mapping the Moment: Performance Culture in Nottingham, 1857-67 project () is an interdisciplinary collaboration between performance history and geography, which has as its aim the investigation of the complex connections between the different kinds and sites of entertainment, and between the peo...
| Published in: | International Journal of Humanities & Arts Computing: A Journal of Digital Humanities Vol. 5; no. 2; pp. 103 - 127 |
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| Main Authors: | , , , |
| Format: | Article |
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Edinburgh University Press
Oct2011
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| Subjects: | |
| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=66853474&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 66853474 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 17538548 2QD7 jtl: International Journal of Humanities & Arts Computing: A Journal of Digital Humanities issn: 17538548 maglogo: N pubinfo: dt: Oct2011 vid: 5 iid: 2 pid: 2327 pub: Edinburgh University Press artinfo: ui: 66853474 10.3366/ijhac.2011.0027 ppf: 103 ppct: 24 formats: fmt: @attributes: type: P size: 3.5MB tig: atl: Mapping the Moment: a spatio-temporal interface for studying performance culture, Nottingham, 1857-1867. aug: au: Robinson, Jo Priestnall, Gary Tyler-Jones, Richard Burgess, Robin su: Geographic information systems Performance art Spacetime Interdisciplinary research History England Nottingham (England) sug: subj: England Nottingham (England) Geographic information systems Performance art Spacetime Interdisciplinary research History keyword: drama GIS nineteenth-century Nottingham performance culture spatio-temporal mapping theatre history ab: The Mapping the Moment: Performance Culture in Nottingham, 1857-67 project () is an interdisciplinary collaboration between performance history and geography, which has as its aim the investigation of the complex connections between the different kinds and sites of entertainment, and between the people and communities involved in making and watching performance, in what was then the rapidly developing East Midlands town of mid-Victorian Nottingham. As questions of space, proximity and temporal relationships are central to the choice-making processes of both venue managers and potential spectators, so we sought to create a resource, based on a map of nineteenth-century Nottingham, that organised information about the town and its performance culture in ways that highlighted such connections and allowed us to explore the relationships between place, performance and audience within the town. Here we describe the creation of the resource and reflect on the development of our spatio-temporal mapping approach, arguing that this offers the potential to address patterns of connectivity and change across both time and space, not as a series of disconnected cross sections but rather as representative of the 'world of process' in which the events we study actually take place. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of International Journal of Humanities & Arts Computing: A Journal of Digital Humanities is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: International Journal of Humanities & Arts Computing: A Journal of Digital Humanities holder: Edinburgh University Press dt: @attributes: year: 2011 holdings: @attributes: islocal: N |
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