Becoming-Rhythm: A Rhizomatics of the Girl.
I appropriate Deleuze and Guattari's concept of the refrain for a feminist analysis of the girl because it offers more insight into the ways girls construct themselves as performative networks than the death-by-culture or at-risk model preferred by such feminists as Jean Kilbourne, Carol Gilligan, a...
| Publicado en: | Deleuze Studies Vol. 5; no. 3; pp. 383 - 400 |
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| Formato: | Artículo |
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Edinburgh University Press
2011
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=67177290&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 67177290 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 17502241 2Q70 jtl: Deleuze Studies issn: 17502241 maglogo: N pubinfo: dt: 2011 vid: 5 iid: 3 pid: 2327 pub: Edinburgh University Press artinfo: ui: 67177290 10.3366/dls.2011.0027 ppf: 383 ppct: 17 formats: fmt: @attributes: type: P size: 98KB tig: atl: Becoming-Rhythm: A Rhizomatics of the Girl. aug: au: Jones, Leisha su: Feminism Women's rights Women's studies Girls Kilbourne, Jean Gilligan, Carol, 1936- Bordo, Susan sug: subj: Feminism Women's rights Women's studies Girls Kilbourne, Jean Gilligan, Carol, 1936- Bordo, Susan keyword: becoming feminism feminist cultural studies girl girl branding girl studies refrain rhythm style woman women's studies ab: I appropriate Deleuze and Guattari's concept of the refrain for a feminist analysis of the girl because it offers more insight into the ways girls construct themselves as performative networks than the death-by-culture or at-risk model preferred by such feminists as Jean Kilbourne, Carol Gilligan, and even Susan Bordo. I proffer that it costs women everything to practise a politics of difference that is by definition reactionary, a reaction to the cultural refusal of leaky gendered bodies that must be overcome. Girl is mapped through such alternations as powerful aggregates of the tremulous, roaming emissions of monstrous particles most desired and desirous. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Deleuze Studies is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Deleuze Studies holder: Edinburgh University Press dt: @attributes: year: 2011 holdings: @attributes: islocal: N |
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