A Modern Instantiation of Schillinger's Dance Notation: Choreographing with Mouse, iPad, KBow, and Kinect.
In a nearly lost 1934 manuscript, Joseph Schillinger mathematically described a dance notation that mapped human form into Cartesian space. Although this notation was merely a curiosity when it was first proposed, we can now see that it presaged a time when transcoding information and applying proce...
| Publicado en: | Contemporary Music Review Vol. 30; no. 2; pp. 179 - 187 |
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| Autores principales: | , , |
| Formato: | Artículo |
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Taylor & Francis Ltd
2011
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=69699711&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 69699711 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2011 vid: 30 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 69699711 10.1080/07494467.2011.636204 ppf: 179 ppct: 8 formats: fmt: – @attributes: type: T – @attributes: type: P size: 245KB tig: atl: A Modern Instantiation of Schillinger's Dance Notation: Choreographing with Mouse, iPad, KBow, and Kinect. aug: au: Schedel, Margaret Fox-Gieg, Nick Yager, KevinG su: Schillinger, Joseph, 1895-1943 Dance notation Detectors Music & mathematics Computer music sug: subj: Schillinger, Joseph, 1895-1943 Dance notation Detectors Music & mathematics Computer music keyword: Dance Notation KBOW Kinect Linkage OSC Schillinger Transcode ab: In a nearly lost 1934 manuscript, Joseph Schillinger mathematically described a dance notation that mapped human form into Cartesian space. Although this notation was merely a curiosity when it was first proposed, we can now see that it presaged a time when transcoding information and applying procedural rules to create works of art would become commonplace. In this article the authors describe how Schillinger's notation can be applied with modern tools, by converting his ruleset into linkage equations that are easily implemented in a computer. These linkages can then be controlled by mouse, touch-screen interfaces, motion sensors, or motion-capture equipment. The authors thus demonstrate how Schillinger's dance notation, with aid of modern tools, can realize its ultimate goal: of deeply linking previously disparate creative acts. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2011 holdings: @attributes: islocal: N |
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